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	<title>Comments on: How to Make Money from Music Licensing</title>
	<atom:link href="http://soundtempest.net/guides/how-to-make-money-from-music-licensing/feed/" rel="self" type="application/rss+xml" />
	<link>http://soundtempest.net</link>
	<description>Reporting, analysis, and opinions on the latest trends and developments in the music industry.</description>
	<pubDate>Thu, 18 Mar 2010 19:42:02 +0000</pubDate>
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		<title>By: AB</title>
		<link>http://soundtempest.net/guides/how-to-make-money-from-music-licensing/comment-page-1/#comment-5118</link>
		<dc:creator>AB</dc:creator>
		<pubDate>Wed, 03 Feb 2010 22:00:17 +0000</pubDate>
		<guid isPermaLink="false">http://soundtempest.net/how-to-make-money-from-music-licensing/#comment-5118</guid>
		<description>I've got to agree with JD a little in regards to Taxi. I'm sure they have helped many get in the door. Mostly I don't feel their critiques were that good when I was a member, and when I search their opportunities as of late, I find oddly very similar opportunities on places like Youlicense and Sonicbids. And to be very honest, $300 a year is a lot of money to be finding those opportunities elsewhere.

As an instrumentalist writer, I have had luck with Pump Audio, but mostly with material I sent them before they were bought by Getty Images. Now Pump is very slow to in terms of entering my new music to their catalog.

There are endless sites popping up all the time as well, so I really don't know where this business goes from here. Time will tell.</description>
		<content:encoded><![CDATA[<p>I&#8217;ve got to agree with JD a little in regards to Taxi. I&#8217;m sure they have helped many get in the door. Mostly I don&#8217;t feel their critiques were that good when I was a member, and when I search their opportunities as of late, I find oddly very similar opportunities on places like Youlicense and Sonicbids. And to be very honest, $300 a year is a lot of money to be finding those opportunities elsewhere.</p>
<p>As an instrumentalist writer, I have had luck with Pump Audio, but mostly with material I sent them before they were bought by Getty Images. Now Pump is very slow to in terms of entering my new music to their catalog.</p>
<p>There are endless sites popping up all the time as well, so I really don&#8217;t know where this business goes from here. Time will tell.</p>
]]></content:encoded>
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		<title>By: JD</title>
		<link>http://soundtempest.net/guides/how-to-make-money-from-music-licensing/comment-page-1/#comment-5035</link>
		<dc:creator>JD</dc:creator>
		<pubDate>Sat, 30 Jan 2010 03:59:27 +0000</pubDate>
		<guid isPermaLink="false">http://soundtempest.net/how-to-make-money-from-music-licensing/#comment-5035</guid>
		<description>Oh and just to prove Im not some no talent crack pot.

Heres my band &amp; few of my songs.

myspace.com/theblooms</description>
		<content:encoded><![CDATA[<p>Oh and just to prove Im not some no talent crack pot.</p>
<p>Heres my band &amp; few of my songs.</p>
<p>myspace.com/theblooms</p>
]]></content:encoded>
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	<item>
		<title>By: JD</title>
		<link>http://soundtempest.net/guides/how-to-make-money-from-music-licensing/comment-page-1/#comment-5034</link>
		<dc:creator>JD</dc:creator>
		<pubDate>Sat, 30 Jan 2010 03:55:02 +0000</pubDate>
		<guid isPermaLink="false">http://soundtempest.net/how-to-make-money-from-music-licensing/#comment-5034</guid>
		<description>Theres a guy on here that asked another guy what his beef is with TAXI.

Ive got to say this. Ill feel responsible if I do not say anything.

TAXI's (Michael L.) has one business model and that is to capitalize on

the hopes and dreams of everyday people. People dont join TAXI and pay 

the stupid fees to sell some Binky the Clown music to channel 337. 99%  

of people join TAXI because they advertise themselves as an A&amp;R company 

who will get your music to the record labels. I had a ridiculous 

experience with TAXI and after a few emails I got a phone call from the 

CEO. Basically, he was scared I was going to sue him. I figured their 

game really quick into it. Michael (the CEO) told me over the phone that

labels do not take TAXI submissions because they just feel its a waste of

their time. I wish I had recorded the conversation. There would be no 

TAXI today if i had. Stay away from TAXI. Theyll just take your money &amp;

give you odd critiques of whatever you send in to make sure you keep em

coming. Well, thats my good deed for the day.

Best wishes,

JD</description>
		<content:encoded><![CDATA[<p>Theres a guy on here that asked another guy what his beef is with TAXI.</p>
<p>Ive got to say this. Ill feel responsible if I do not say anything.</p>
<p>TAXI&#8217;s (Michael L.) has one business model and that is to capitalize on</p>
<p>the hopes and dreams of everyday people. People dont join TAXI and pay </p>
<p>the stupid fees to sell some Binky the Clown music to channel 337. 99%  </p>
<p>of people join TAXI because they advertise themselves as an A&amp;R company </p>
<p>who will get your music to the record labels. I had a ridiculous </p>
<p>experience with TAXI and after a few emails I got a phone call from the </p>
<p>CEO. Basically, he was scared I was going to sue him. I figured their </p>
<p>game really quick into it. Michael (the CEO) told me over the phone that</p>
<p>labels do not take TAXI submissions because they just feel its a waste of</p>
<p>their time. I wish I had recorded the conversation. There would be no </p>
<p>TAXI today if i had. Stay away from TAXI. Theyll just take your money &amp;</p>
<p>give you odd critiques of whatever you send in to make sure you keep em</p>
<p>coming. Well, thats my good deed for the day.</p>
<p>Best wishes,</p>
<p>JD</p>
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		<title>By: Charlie Mac</title>
		<link>http://soundtempest.net/guides/how-to-make-money-from-music-licensing/comment-page-1/#comment-4670</link>
		<dc:creator>Charlie Mac</dc:creator>
		<pubDate>Tue, 12 Jan 2010 06:04:19 +0000</pubDate>
		<guid isPermaLink="false">http://soundtempest.net/how-to-make-money-from-music-licensing/#comment-4670</guid>
		<description>Thank you for sharing this very positive, and informative information.
Although I've had some great success licensing my music, while helping others to do the same, it's refreshing to find someone who is truly knowledgeable on this subject. Thanks again, and good luck with your music licensing ventures.

BEST WISHES,
Charlie Mac

www.whosthehottestrapper.com

www.myspace.com/musiclicensing101

www.youtube.com/user/CharlieMac1212</description>
		<content:encoded><![CDATA[<p>Thank you for sharing this very positive, and informative information.<br />
Although I&#8217;ve had some great success licensing my music, while helping others to do the same, it&#8217;s refreshing to find someone who is truly knowledgeable on this subject. Thanks again, and good luck with your music licensing ventures.</p>
<p>BEST WISHES,<br />
Charlie Mac</p>
<p><a href="http://www.whosthehottestrapper.com" rel="nofollow">http://www.whosthehottestrapper.com</a></p>
<p><a href="http://www.myspace.com/musiclicensing101" rel="nofollow">http://www.myspace.com/musiclicensing101</a></p>
<p><a href="http://www.youtube.com/user/CharlieMac1212" rel="nofollow">http://www.youtube.com/user/CharlieMac1212</a></p>
]]></content:encoded>
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	<item>
		<title>By: Richard</title>
		<link>http://soundtempest.net/guides/how-to-make-money-from-music-licensing/comment-page-1/#comment-2140</link>
		<dc:creator>Richard</dc:creator>
		<pubDate>Wed, 12 Aug 2009 23:32:09 +0000</pubDate>
		<guid isPermaLink="false">http://soundtempest.net/how-to-make-money-from-music-licensing/#comment-2140</guid>
		<description>I hear alot of public domain music on media productions. Is there anyway to make money recording public domain material and selling it via libraries? If not, why does anyone the record public domain music that is heard so much?</description>
		<content:encoded><![CDATA[<p>I hear alot of public domain music on media productions. Is there anyway to make money recording public domain material and selling it via libraries? If not, why does anyone the record public domain music that is heard so much?</p>
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		<title>By: Donna Hatcher</title>
		<link>http://soundtempest.net/guides/how-to-make-money-from-music-licensing/comment-page-1/#comment-1127</link>
		<dc:creator>Donna Hatcher</dc:creator>
		<pubDate>Fri, 22 May 2009 16:01:46 +0000</pubDate>
		<guid isPermaLink="false">http://soundtempest.net/how-to-make-money-from-music-licensing/#comment-1127</guid>
		<description>Hey, Great Article on Licenseing your music, My question is can someone give me some LIgit website to sell my music on? cdstreet.com, and then backstagecommerce have rip me off. Also, can someone give me some ligit Licenseing company to get my music licensed, everybody seems to ripping everybody off, this economy has made people be so dishonest with each other on a different level.  Lol.</description>
		<content:encoded><![CDATA[<p>Hey, Great Article on Licenseing your music, My question is can someone give me some LIgit website to sell my music on? cdstreet.com, and then backstagecommerce have rip me off. Also, can someone give me some ligit Licenseing company to get my music licensed, everybody seems to ripping everybody off, this economy has made people be so dishonest with each other on a different level.  Lol.</p>
]]></content:encoded>
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	<item>
		<title>By: Ginger man</title>
		<link>http://soundtempest.net/guides/how-to-make-money-from-music-licensing/comment-page-1/#comment-1007</link>
		<dc:creator>Ginger man</dc:creator>
		<pubDate>Mon, 11 May 2009 15:43:00 +0000</pubDate>
		<guid isPermaLink="false">http://soundtempest.net/how-to-make-money-from-music-licensing/#comment-1007</guid>
		<description>murch repect am ghana.a regge artist ,my project is set and i need help.+23326989224 my number</description>
		<content:encoded><![CDATA[<p>murch repect am ghana.a regge artist ,my project is set and i need help.+23326989224 my number</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: hezeleo</title>
		<link>http://soundtempest.net/guides/how-to-make-money-from-music-licensing/comment-page-1/#comment-760</link>
		<dc:creator>hezeleo</dc:creator>
		<pubDate>Thu, 23 Apr 2009 01:59:39 +0000</pubDate>
		<guid isPermaLink="false">http://soundtempest.net/how-to-make-money-from-music-licensing/#comment-760</guid>
		<description>im gonna see whats up with that i got alotta songs ive written all dirty south rap tho an hip hop</description>
		<content:encoded><![CDATA[<p>im gonna see whats up with that i got alotta songs ive written all dirty south rap tho an hip hop</p>
]]></content:encoded>
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	<item>
		<title>By: Tarek Montague</title>
		<link>http://soundtempest.net/guides/how-to-make-money-from-music-licensing/comment-page-1/#comment-743</link>
		<dc:creator>Tarek Montague</dc:creator>
		<pubDate>Mon, 20 Apr 2009 17:03:15 +0000</pubDate>
		<guid isPermaLink="false">http://soundtempest.net/how-to-make-money-from-music-licensing/#comment-743</guid>
		<description>I still am wonderful.......*wondering* ;0)</description>
		<content:encoded><![CDATA[<p>I still am wonderful&#8230;&#8230;.*wondering* ;0)</p>
]]></content:encoded>
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		<title>By: Tarek Montague</title>
		<link>http://soundtempest.net/guides/how-to-make-money-from-music-licensing/comment-page-1/#comment-742</link>
		<dc:creator>Tarek Montague</dc:creator>
		<pubDate>Mon, 20 Apr 2009 17:02:03 +0000</pubDate>
		<guid isPermaLink="false">http://soundtempest.net/how-to-make-money-from-music-licensing/#comment-742</guid>
		<description>Hey, I was wonderful if you could help me with this as you are most likely member of a PRO. If I were to enter an agreement with PRS for music the agreement states that I would (transfer to the Society the ownership of your(my) performing and film synchronisation rights). I am sure all PRO's act in the same fashion, however, that does not sound like a good thing to me......what does that mean?
Tarek:)</description>
		<content:encoded><![CDATA[<p>Hey, I was wonderful if you could help me with this as you are most likely member of a PRO. If I were to enter an agreement with PRS for music the agreement states that I would (transfer to the Society the ownership of your(my) performing and film synchronisation rights). I am sure all PRO&#8217;s act in the same fashion, however, that does not sound like a good thing to me&#8230;&#8230;what does that mean?<br />
Tarek:)</p>
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